Allen & Heath introduced the Que line of digital mixers a while back, and now they've added the Que 32. As the name suggests, it has 32 mic preamps, with 32 faders (plus master), so there are no layers. Well, sort of. Auxes, DCAs and FX are on another layer. It has a 7" touchscreen and some other cool recording/playback features. It looks like a square shot at the X32 from where we sit.
Today's post is brought to you by DiGiCo. DiGiCo audio mixing consoles deliver solutions that provide extreme flexibility, are easy to use and have an expandable infrastructure, while still providing the best possible audio quality. Visit their website to learn more.
Most of us are familiar with Dante, the flexible audio network and transport protocol. They have now introduced Via. Via removes the dedicated hardware limitation of Dante and lets any input, output or even software on your computer become a transmitter or receiver for Dante. Plenty of great applications for this; the only downside is it won't be out until year's end.
Today's post is brought to you by DPA Microphones. DPA's range of microphones have earned their reputation for exceptional clarity, high resolution, above all, pure, uncolored accurate sound. Whether recording or sound reinforcement, theatrical or broadcast, DPA's miking solutions have become the choice of professionals with uncompromising demands for sonic excellence.
On the heels of the successful ULX-D line, Shure unveils the new QLX-D. Though it's missing a few features from it's big brother (namely Dante outputs), it's a solid offering. Considering a system with metal body packs or metal handhelds (no plastic!) will come in around $1100-1400 per channel, it's a great alternative.