Last month, I came across a post on Bobby Owsinksi’s Big Picture Music Production Blog that really resonated with me. It was called Why Do Concerts Sound So Bad?. I’ve been thinking about this for a long time, and it was good to hear someone else put into words what I’ve thought. I’ve heard some pretty dreadful concerts, not to mention conferences and trade shows. But I also hear some pretty poor sounding church services and I think many of the reasons concerts sound so bad carry over into church. I’m not going to re-hash his post—he did a fine job with it—instead, I’m going to append five reasons why I think church sound can be so bad at times.
This is certainly one of the biggest reasons church sound is so bad. Sadly, it’s also one of the most easily remedied. I say sadly because it saddens me that more churches don’t bother to do it. I have received email after email from pastors and worship guys lamenting how bad their sound is, but when I suggest bringing a pro out to train them, you’d think I was asking for a gold plated Rolls Royce.
Most pastors spend a few years in school leaning how to preach and communicate, and then it takes them 10 years of actual practice to really get good. Yet they expect a volunteer who mixes once a month, who has no training (other than figuring out that moving faders up makes it louder) to mix a flawless service. Mixing is hard. It takes time and effort to learn to do it well. And it takes some good instruction.
Again, this is a common one. Traveling around to see churches all over the country, I’m struck at how many terrible PA’s I find. From line arrays hung up against side walls to the old “flying junkyard” to random collections of speakers hanging everywhere, I’ve seen a lot of bad ideas. Sadly, not all of it is old. I saw a post on social media where someone was excited about their newly hung speakers. Two subs facing each other in the center of the seating area, and full range boxes outside the subs pointing down and across each other. Side note, if that’s not immediately apparent why that’s all a terrible idea, please don’t ever hang speakers in your church.
The common denominator in these situations is the sound is going to be bad. A highly trained professional with a great band and a solid console might be able to make is sound tolerable. But it’s never going to be great. If you want great sound, you need at least a decent PA. And that will require hiring someone who knows how to design and install a decent or better PA.
Sound Guys Who Have Been Trained Wrong
Bobby O points out that we have a whole generation of mixers who somehow got the idea that the kick and snare is the most important thing in the mix. Now, they are important, but they are not the most important. In live concerts he points out, the vocal is king. I would argue that the same is true in a worship service. Worship leaders are leading the congregation. However, the congregation cannot be led if they can’t hear the vocal. Believe it or not, the kick drum helps very little when it comes to learning a new worship song. Same for the bass and low toms. If I can’t hear the vocal, I can’t follow the melody and I can’t learn the song. It’s really that simple.
Young guys hate it when the old farts tell them they’re doing it wrong, but guys, I’m telling you, if I show up at your church and all I hear is kick, bass and snare, you’re doing it wrong.
Again, I’m going to sound like an old guy here; but I’m really not. I like volume and I led the charge at my church for years to get the maximum volume raised up. Under the right circumstances, volume can help create energy and engagement. Those are good things. But like the increasing reliance on the kick and subs, too much of a good thing becomes a bad thing. I recently received an email from a reader asking for help because their new, young sound guy likes to run rehearsals at 105-115 dBA.
Precious few PA’s, rooms and bands sound good at that level. I guarantee theirs doesn’t. In addition to the hearing damage the engineer is inflicting on themselves and the rest of the crew, it’s screwing up their perception for mixing the services (look up Temporary Threshold Shift).
Volume is relative. Larger rooms with better PA’s can stand more volume than small ones. But not all songs or worship sets require maximum volume. And if you crank it up, you better know what you’re doing to keep it from becoming so harsh it hurts. Or better yet, back it down a few dB. Chances are, everyone will thank you.
The Band is No Good
So far, we’ve talked about technical systems and technique. But there is one other element that leads to bad sound in churches—bad bands. I’ve heard my share of them, too. I recall being at one church helping train their team, and I played back some tracks from my band at Coast Hills. It didn’t take much to get it sounding great, even on their mediocre PA. Then their band took the stage. The first question I got was, “What did you do to the bass? It sounds nothing like it did a minute ago.” I replied, “That’s not my bass player Norm up there on stage…”
In fact, this bass player was terrible and yet had a pedal board bigger than some electric players I’ve seen. I changed nothing on the channel strip and the bass went from very solid (even on their less-than-stellar PA) to pretty much mush. The lesson is simple; sometimes there’s not much you can do. I worked at that bass for a while, and it never got better not good. It all starts at the source.
There you go. This is not an exhaustive list; I’m sure we could come up with some more reasons church sound—or concert sound— is bad. But this is what came to my mind. What else have you seen, and how can we fix it?